Tom Ford closes Style Week with large hair, miles of sparkle


NEW YORK (AP) — Tom Ford closed New York Style Week on Wednesday with Madonna on his entrance row and a runway full of huge hair, disco cowgirls and sequins for miles.

Love was clearly on his thoughts, and dancing all evening.

On a reflective runway worthy of all that shine, to a soundtrack of “Hooked on Love,” “The Look of Love,” “Pure/Honey” and “Tackle Me,” Ford’s fashions had been greater than somewhat able to occasion ‘70s and ’80s model on his downtown catwalk.

He rolled out embellished units of tiny velvet shorts and matching jackets of vibrant pink and blue adorned with flowers, leaves and butterflies, some with a contact of cowboy fringe. Different fashions walked in sporty short-shorts of silver and gold, and low-slung trousers and skirts in silver and mint, tiny and sheer bralettes peaking out.

He put multicolored applique of hearts and stars on a few of his seems to be, and several other of his fashions wore low-heeled, dance-all-night boots above the knee in purple and gold. One walked in a killer pastel purple tracksuit with a midriff jacket and wide-legged pants.

And there was an after-party of skimpy black lingerie paired with multicolored sequin jackets.

Madonna was joined by her daughter, Lourdes Leon, Chris Rock, Erykah Badu, Nicole Richie, Katie Holmes, Frances Tiafoe, Ciara and extra.

Ford routinely mixes the sexes on his runway, as he did this time round. There was a vibrant pink swimsuit for one in all his males worn tone-on-tone with a tie and lighter shade of costume shirt. Thonged ladies received leather-based jackets, all in black, as did a person briefly lace boxers emblazoned with Ford’s eponymous model title. One other of his males walked in a watery white dinner jacket.

Ford switched moods and slowed it down for his finale with Freddie Mercury’s “Time,” sending out attractive metallic sequined robes in copper, and two-tone inexperienced and blue, on Bella and Gigi Hadid, respectively. There have been different lengthy sequined robes, some with excessive slits and lower outs, in purple and sea inexperienced, and a glittery bride holding an equally bedazzled bouquet.

His Studio 54 women rocked large hoop sequined earrings to match their sparkle as Mercury sang: “We have got to construct this world collectively or we’ll haven’t any extra future in any respect, as a result of time, it waits for no one.”

Was the tip a Ford lament? A sentimental lookback? A processing of the pandemic, politics and the place the fast future goes?

The designer supplied mushy white couches to his visitors, however no present notes, letting Mercury’s phrases linger: “You do not want me to let you know what’s gone flawed. You already know what is going on on. And it appears to me we’ve not cared sufficient or confided in one another in any respect. It looks like we’ve all received our backs towards the wall.”


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