For Euphoria Music Supervisor Jen Malone, Solely “F—ing Bangers“ Will Do


Inform me concerning the conversations your staff is having with Sam Levinson, or the present’s editors. There should be loads of shifting components, since you need to get so many music clearances.

It’s a collaboration. It’s all about serving Sam Levinson’s imaginative and prescient of the story: how music performs into that and helps inform that story. That’s working with Sam, and that’s working with the editors who’re consuming, sleeping and respiratory each second in these episodes.

Did I pick all 37 songs in that first episode [of season 2]? No. That’s not even understandable. If I had a 12 months to do it, certain. Typically once I ship stuff to the editors, there’ll be some wildcards in there. However then typically—like with [“Haunted,” by] Laura Les—I solely pitched one music. You normally wish to give like, 5 choices to the editor. I used to be like, ”Simply belief me. Belief me, belief me, belief me.” And he did, and that music blew up.

Yellowjackets has a very completely different tone than the opposite exhibits you’re employed on. How do you juggle variations in model so you may work out which music feels prefer it belongs on Yellowjackets, versus Atlanta or Euphoria?

Yellowjackets was a lot enjoyable as a result of I grew up in Jersey. I used to be in highschool within the mid-90s. So it was similar to going again to my soundtrack once I was in highschool. However it is vitally completely different. You’ll be able to simply see [it]: the colours of Euphoria, the purple and the blue, versus the orangey earth tones of Yellowjackets, the woods. The scores are completely completely different as effectively.

Every mission is completely different. I’m engaged on a present called The Offer, which is the story of The Godfather. So we’re solely utilizing music from like, ’68 to ’72. I like engaged on such completely different tasks which have completely different visions, since you’re exploring completely different genres and artists. There’s a lot inspiration for every present. We’re so fortunate that we’ve such unimaginable present runners which have a selected imaginative and prescient, whether or not it’s Donald Glover and Hiro Murai, or Sam, or Ashley Lyle, or Steve Blackman from Umbrella Academy.

Which music was your greatest get for Euphoria, and which one was the toughest to clear?

I believe one of many greatest will get was 2Pac. The 2Pac property—who’re simply pretty, heat people who care a lot about how 2Pac’s music is used—they sort of checked out it like, ”Is that this one thing that he would need?” In speaking to the property, they’re like, ”He could be a fan of Zendaya’s for certain.” That was an enormous get.

The toughest is definitely a music that’s going to be in episode 5. And the explanation why it was so exhausting is as a result of it was launched on this small, tiny label that was solely in existence from ’67 to ’69. I needed to discover the heirs of the man that owned it. I positively have a 3rd profession in non-public investigation. I’ve a sure set of expertise that you simply want, as a result of the very last thing I ever wish to do is be like, ”I’m sorry, Sam, I couldn’t clear it.”



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