Dior reconstructs Paris in spectacular Vogue Week present

PARIS (AP) — Dior took over Paris’ iconic Place de la Concorde for a menswear present Friday whose theme was none aside from town of Paris itself.

Inside an annex, editors joined a entrance row together with Naomi Campbell to marvel on the heritage home’s spectacular decor. It created a near-life dimension Parisian bridge, replete with faux birds and pretend water lapping beneath by way of plasma display, only for the 15-minute assortment.

Listed below are some highlights of the fall-winter 2022 menswear shows.


Paris Vogue Week is again from its virus-induced slumber. At the least that was what some front-row trend editors uttered upon seeing Dior’s elaborate reconstruction of the Pont Alexandre III bridge, with its big three-dimensional gilt-bronze horse statues and staff-holding nymphs that fashions needed to duck beneath. Million-dollar units like this haven’t been seen in seasons.

In pastel hues that mirrored a winter morning, fashions snaked across the Parisian vista, previous the long-lasting picture of the Pont Neuf bridge and by the Musee d’Orsay — whereas a recording from home founder Christian Dior on the that means of trend echoed across the corridor.

In trend phrases, the beret — that archetypal Gallic image — made a fall-winter comeback for British designer Kim Jones. This usually limp Parisian staple was reimagined in a structured type, evoking the Saville Row tailoring of Jones’ native London. It was one in all many situations of Dior’s Parisian types having a intelligent U.Ok. twist.

Marking 75 years since Dior’s “New Look” modified the face of trend in 1947, Jones mentioned he delved into the archive to work on the unique home types such because the Bar Jacket that curves in on the waist. Right here for males, the Bar silhouette was given a really British makeover, tailor-made but constructed deliberately unkempt and free in patterns equivalent to Glen plaid. Such tailor-made types have been by no means buttoned-up however infused with a road vibe — grey sneakers with messy laces, or white pants with elasticated hems.


One of many stars of the tv hit “Emily in Paris,” British actor Lucien Laviscount mentioned he felt like he was “dripping in Dior” — dressed by Jones to attend the home’s menswear present on Place de la Concorde.

Contemporary from the success of his position because the Season 2 love curiosity, British banker Alfie, Laviscount mentioned that visiting Paris for Vogue Week meant that “my toes haven’t touched the bottom. That is my second time in Paris. To come back again I really feel humbled and honored.”

Misplaced for phrases as he seemed on the decor of iconic Parisian bridges, and virtually as excited because the journalists interviewing him, all he might say was “wow… That is Lucien in Paris!”

As for whether or not the Yorkshire-born actor will return for Season 3, that continues to be a tantalizing thriller. “Am I coming again? … We’re in talks,” he mentioned.


The age of e mail and rising environmental consciousness doesn’t appear to have left a lot of a mark on the style business’s antiquated system of invites. Season after season, gasoline-guzzling couriers crisscross Paris to personally ship ever-elaborate, usually handmade, present invitations.

Prime homes vie for the wackiest or most imaginative thought that usually bears a clue as to the theme of their runway assortment.

Jil Sander’s present particulars have been printed on an enormous white balloon hidden inside a field whereas Loewe’s invitation, a three-meter pink silk satin ribbon, unfurled dramatically from a small metallic cylinder.

But Louis Vuitton’s was presumably the menswear season’s most creative: Multicolored toy twin woodpeckers on a pole with the home monogram from high to backside. It symbolized the childhood obsessions of the late designer Virgil Abloh, who died in November.


On the coronary heart of the style icon’s fall-winter show was the evolution of cinema — from the black-and-white period to technicolor and ending with up to date movie.

The film musing was a springboard for the 75-year-old British designer who has constructed a popularity along with his daring use of colour — together with his fluorescent pink flagship retailer in Los Angeles.

Monochrome nickel gave a stupendous sheeny high quality to a loosely tailor-made double-breasted coat — evoking the period of pre-Struggle cinema. Sepia, the reddish brown hue related to the monochrome pictures of early cinema, was evoked in printed saggy corduroys and an emerald inexperienced leather-based jacket evoked the beginning of technicolor.

Nonetheless, the cinema theme felt a bit misplaced on most of the different designs proven Friday.

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